Gutenberg's Inky Tears
ushered in a period of human history that led to the emancipation of
knowledge from the hands of the privileged; a hitherto unseen ease
with which to disseminate information across the Western world and the
seeds of the reformation, renaissance and ultimately, modern
civilisation. He also set in motion a chain of events that would lead
to the invention of the Lexmark z605. The z605 is no less revolutionary a printer, given that, in my house,
it has reversed the master-slave relationship between man and machine
and reduced me from a free man of the European Union to a serf, living
at the mercy of a grey printer made in Taiwan. The Gutenberg press freed up monks' time and transformed them from
celibate book copiers to mead-swilling travelling conmen, tramping the
country cadging food, wronging wives and selling salvation. The
Lexmark has been getting its own back on history and eating my time. I
am atoning for the sins of medieval monks like a Jesus with massive
printing queue. I do not mean to suggest that it is only the z605 that makes slaves
out of us: over the years I have prostrated myself at the tyrannical
feet of Canons, Epsons and other Lexmarks; pressing print when
"they're not looking" and trying everything short of sky writing to
convince them that I have installed a new ink cartridge despite them
not "recognising" it. I'm not expecting you to recognise it: you've
never met it before, you ink hungry bastard. I might start employing a
monk instead, or set up a monkey and a typewriter and hope it comes up
with what I want to print. I don't mind, as long as it doesn't involve
a USB cable. When I finally tire of trying to talk my printer round and decide it's
time to give in, I'm not going to throw it out, I'm going to impale it
on a spike above the front door as a warning to the new one. I'll show
them who's in charge.


